Hack Urban Food Event Promises to Empower People Design/Create Solutions to Problems in the Food System

Jimi Carnazza, fellow alumni of Arcosanti Arizona and founder and executive director of Full Circle Earth (join our Facebook page for updates on FCE) has shared with me an update on a upcoming event in the Boston Area.

I thought it might be relevant to those in my network interested in sustainable/local food production and particularly those in the Boston/New England area.

The Nov 14/15th Boston Hack Urban Food Event came to us thanks to an email from Lauren Abda who is the Managing Director of  The Food Loft and Founder of Branchfood.

The event seems to be part of a growing international movement that I have been linked to and been a part of since my time with oneVillage Foundation which was focused on the role of information technologies in the process of developing a global grassroots approach to sustainable development.

A common theme is the fusing together and evolving of approaches of the hacker and open source software movements to create global Peer-2-Peer Networks to empower people to redesign their local economies around this idea of “right livelihood” and conscious living.

Here the focus (and I see similar events going on around the world) is on building a local food economy in Boston around the healthy living and sustainability movements, while incorporating those hacker ideas of how to innovate and rapid prototype within hacker social networks.

Read more about the event below:

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Arcosanti as a Reality TV Show

Given the unique life of the Aconauts some have suggested making Arcosanti life into a Reality TV show. I have discussed this with various people over the years (such as David Tollas and Doctress Neutopia) but this is the first time that I can recall that I am talking about it here. I wanted to discuss that a bit here as it has come up again and I would like to encourage people to look at and consider what this might actually entail.

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Rugged Individualism & Arcosanti

We’ve had a stream of documentaries coming out or being worked on about Soleri and they probably all help to give different and possibly valuable insights about Soleri and his lifework.

Most recently an Italian-American magazine called The American in Italia presented the story of Lisa Scafuro who has been devoting much of her life to another video about Soleri titled The Vision of Paolo Soleri: the Prophet in the Desert.

I’m not sure how this movie portrayed Soleri or Arcosanti but I suspect its another Soleri-centric documentary. I’m still hankering for a true to life documentary and not a PR piece that just shows us the best of Soleri – as many of the documentaries I’ve seen seem to gravitate towards. I’d also like to see more efforts at documenting the many incredible stories of the people that lived at and made Arcosanti Arizona. This leads me to consider some of the deeper issues that may have prevented Arcosanti from being a place where many great minds could have come together to create Arcosanti Critical Mass much sooner than now seems possible.

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Flavio Borrelli and His Struggle as an Architect and Artist to Break Free from the Ordinary & Conventional in Society

Flavio & Siltcast

In May, I traveled to several regions of Europe including Napoli, Italy, where I had the chance to meet Flavio Borrelli again.

A high point of my time at Arcosanti was when a group of us (which included Flavio) would regularly gather behind the Workshop Dorms in the East Crescent after dinner. During that time, we had many wonderful discussions about the things and passions that brought us to Arcosanti.

Flavio and Antonio Chelen Guerra were the lead instigators on the Snake Path (or was it snake pit?). This name stuck, because it moved like a snake from the Minds Garden into the adjacent cliff which towers over the Aqua Fria River (one of the best views at Arcosanti).

The project was controversial because Antonio and Flavio did not follow what the Arcosanti leadership saw as the “proper procedures.” The pace of doing anything at Arcosanti has become very slow. Much of this was out of fear of offending Paolo Soleri or making some mistake which might make the project seem like a laughingstock. Now that Soleri has died many want to make sure we honor his will. But possibly, we can honor him without worrying too much about whether he would approve or not of what we are doing.

During my visit with Flavio, it was hard to avoid the moral and economic crisis in Italy and Europe. Unemployment is high and economic prospects are low. While unemployment is 11.5 percent among the whole society for those under 25 – its around 40 percent. A staggering number and I saw how it affected Flavio and also Simone my friend who I had visited later in Milan. Both live with their parents and job prospects for them are bleak.

Napoli was of the cities in Europe that seemed very much in a struggle with a economy that in severe downturn. Flavio expressed a concern about the state of the economy and lack of opportunity in Southern Europe. While no one would or does really say these countries are in depression, its safe to say that its the worst economic conditions they have faced since WW2 and people are pretty overwhelmed and depressed about the situation.

Yet I saw a glimmer of hope in Flavio’s work. It made me consider the possibility that our creativity and ability to innovate is the real solution to these kinds of economic depressions and the general morass that faces humanity now.

For what is happening in Italy and Southern Europe may well be part of a larger contagion of the human spirit that will eventually spread and infect all of humanity. How we deal with this loss of faith in modern institutions will determine our destiny as a species. Its really a reflection of the loss of purpose, passion and deep drive in the modern world and its belief system. I believe our creative ability to innovate and adapt to challenging situations is the real solution to these kinds of economic depressions not praying for more economic growth and jobs from the power brokers of the global economy.

The pictures here are from the backyard of his Uncle’s house which he is helping to remodel.

One of things that Flavio is doing is refining and developing his own take on Paolo Soleri’s silt casting technique that he learned at Arcosanti.

Soleri used the silt casting technique to make the ceramic bells at Cosanti and then Arcosanti – as a source of income to support his work and vision. He also applied the silt casting technique to the making of concrete precast and poured in place panels in the construction of Arcosanti and Cosanti.

Flavio spoke to me about how he applied and modified this technique. He showed me the material he used and it looked like soil – it was black in color and very different in appearance in the silt I had used at Arcosanti. Silt of course can come in different colors other than the familiar “Southwest Adobe Brick Red” I was familiar with. According to the WikiPedia page on Silt:

silt particles range between 0.0039 to 0.0625 mm, larger than clay but smaller than sand particles.

http://en.wikipedia.org/wiki/Silt

The “silt” is placed around the form which is made of wood and then once the desire design is in place, color can be added in the form of powdery pigment. Sometimes the pigment is mixed with water to form many different colors.

In 1984, Paolo Soleri published a book with longtime associate and Arcosanti resident Scott M Davis called Earth Casting that explains his silt casting technique in great detail. Silt is used as a molding material that adds a natural element to concrete. To do an Earth Cast the first step is to get the silt and make sure it is the desired consistency. There are many difference ways of adding to silt to concrete. Usually you will add  the silt between the form and where the concrete or plaster is to be poured. Once the desired design is in place, color can be added to the silt by using pigment. The pigments are bought in several base colors as powders. Water is added to the powder to make the pigment so it can be painted onto the silt. Once the water is added to make a liquid, the base or primary colors can be mixed together to get the desired color. Then the pigment is applied to the silt with a brush and allowed to dry. After its dry, a slurry coat can be added to protect the silt cast, during the concrete pour. The concrete pouring concrete should be conscious of the delicacy of the silt cast, because at Arcosanti there are examples of where the silt cast was damaged giving a permanent impression on he ceiling of the crushing of the silt cast. Usually after the pour, we will wait about two weeks until the concrete is strong enough and then remove the form work and see how well the silt cast fared.

What we can see with Flavio’s work is not only the notable talent and creativity, but also a willingness to be creative and different. The panel’s takes Soleri’s concept of creating colorful and abstract panels made with silt to new levels by introducing a whole new style to the technique that has been rarely copied in an artistically compelling way.

The challenge Arcosanti itself faces as it considers its future without its founder and primary driver for all of its history up to now, is how to both honor Soleri (without becoming a museum) and to encourage a culture that embraces (rather than stifles and discouraging it) the creative talent of people like Flavio Borrell and Antonio Chelen to create a new story for Arcosanti in the “Post-Soleri Era.”

May we who are inspired by the work and life of Paolo Soleri, consider such efforts as inspirations in our lives to build a reality of creative work that builds on the legacy of Paolo Soleri.

If we think big and work relentlessly to create the physical and practical reality of that creation, we may indeed be humbled by the possibility of our creation and how that propels us to greatness.

You can see more images of Flavio’s work here

Rethinking Paolo Soleri’s Theory of Arcology

My view is that we are at an interesting intersecting of events and ideas as well as experiences. Possibly this is the real meaning of  the 2012 prophesy? And I know all the skeptics and how they say the predictions are not accurate. I am not an expert on all of this, but what I know is that we have a lot of people who in history and throughout it seemed to attach a lot of significance to these days in which we now find ourselves together in. I feel this also intuitively and I know many others in this world share my feelings.

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Social Networking and Arcosanti

What I cherish from my time at Arcosanti was that I had the chance to meet many remarkable and talented people.

This included the Paradox III conference which I had participated in at Arcosanti before leaving in 2001. This opened up for me a vast network of people who have devoted their lives to put forward a paradigm shift in how humanity sees reality and also exists within that reality

Just recently two pieces of news brought back to life this idea that each of us has a story to tell in relation to the people that we meet on our paths through life.

Many of the people I have met and had the experiences that expanded consciousness as a result of all that would not have existed if Arcosanti did not come into my life.

This makes me wonder whether the real value of who we are and what do as human beings is not about us, but how we use (as well as appreciate and value) our social networks.

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